NOW is the time for a LIFE-GIVING JOB!

Saturday, December 11, 2010

KJ's Biz Partner: Estate Doesn't Care About MJ's Kids

The man doing business with Katherine Jackson just thumbed his nose -- BIGTIME -- at the Michael Jackson Estate ... essentially saying they're just a bunch of lawyers who don't care about MJ's kids.

Last night Howard Mann slammed the Estate for the suggestion it's more invested in helping MJ's children than he and Katherine -- saying, "I would ask if the Estate has ever met those children, ever spoken to those children. To me it's a farce that they care about what happens to those children."

Mann was In Beverly Hills ... outside the "Unveiling of the Jackson Secret Vault Lithographic Collection" -- his ongoing business venture with Katherine -- and an event that prompted MJ's Estate to fire off a cease and desist letter.

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Fans Pissed Over Televised 'Michael Jackson Autopsy'

Michael Jackson fans are scrambling to stop the Discovery Channel from broadcasting a gruesome reenactment of MJ's autopsy ... calling the whole thing an "affront to human dignity."

TMZ has learned ... fans have already collected nearly 1,500 signatures -- all demanding the network pull the plug on a special entitled "Michael Jackson's Autopsy" ... in which MJ's bloody autopsy is expected to be reenacted in gory detail.

The fans behind the petition call the documentary "an affront to human dignity" -- adding, "This type of sensational and unscrupulous reporting can only cause harm."

The petition states, “We ask the directors of the Discovery Channel programming to proceed with the outright cancellation of this indecent documentary.”

The doc is scheduled to air January 13th in the UK.

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Michael Jackson estate is warily watching rival releases

The King of Pop's mother, Katherine, has formed an alliance with Toronto entrepreneur Howard Mann. The estate's lawyers are monitoring releases from his Vintage Pop Media.

For someone trying to sell a book, it couldn't get much better than this: Oprah Winfrey, the nation's reader-in-chief, was holding up a glossy volume of Michael Jackson photographs for her vast television audience while tossing softball questions to its co-author, the late singer's 80-year-old mother.

The gauzily shot moment of marketing gold last month was not the work of the official Jackson estate but of a little-known Toronto businessman, Howard Mann, a brash, goateed 38-year-old who cut his teeth in the titillation trade — nude online gambling, a naked women's wrestling league — and is now pursuing an unorthodox plan to profit from what he calls "the most valuable name in history."

That plan is a direct challenge to the Jackson estate, the behemoth quasi-corporation whose carefully strategized promotion of the pop star's legacy and ironhanded crackdown on unlicensed merchandise have translated into hundreds of millions in posthumous earnings. The brewing fight between the estate and Mann is the latest wrinkle in the settling of his affairs and another reminder that even in death, nothing involving the King of Pop is ever simple.

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Mann is taking on the estate armed with two weapons — a legal loophole that he says gives him carte blanche to flout intellectual property laws and an unlikely alliance with Jackson's mother, Katherine. Frustrated with the size of her allowance from the estate, the family matriarch has entered into a business partnership with Mann in which she has given her blessing to the book and other projects and he has paid her what he said was "hundreds of thousands of dollars."

"I'm very pleased working with Howard. He's been very good to me," she said recently.

These joint endeavors are becoming a headache for estate administrators, who seem reticent to offend Katherine Jackson, the guardian of the singer's three children and a much admired figure to fans. A lawyer for the estate dismissed Mann's novel legal theory as flawed, but the administrators have not moved to stop sales of his unauthorized Jackson products as they have others who tried to cash in on Jackson's name or likeness. For the past five months, the estate has sat silent as Mann's company, Vintage Pop Media, has touted its ownership of a trove of Jackson memorabilia — photos, personal papers, costumes and music — and hawked the book, calendars and other items on its website.

Asked to explain, the estate's lawyer, Howard Weitzman, said of Mann: "His day is coming. The estate will be taking appropriate legal action."


In the scope of the Jackson empire, with its $273-million deal with Sony and the $260-million concert movie, Mann's ventures — the $39.99 book and the $27.98 calendar — are small-time. However, his projects have hit a nerve in the delicate relationship between Jackson's beloved mother and the two music veterans he tapped in his will to control his business affairs.

Under the terms of a private trust set up by the will, the singer's children and his mother each get a 40% share of the trust with the remainder going to charity. Upon Katherine Jackson's death, her portion passes to the children. Jackson owed creditors about half a billion dollars at the time of his death. The estate remains in the red although massive music and merchandise deals as well as financial restructuring have significantly reduced the debt.

In a telephone interview, Katherine Jackson praised administrators John Branca and John McClain for doing "a very good job" managing the estate but criticized her monthly cash allowance of $7,000 to $8,000 as inadequate and said it left her dependent on Mann to cover her expenses.

"I wish they would leave Howard alone and I wish they would leave me alone for working with Howard. I'm not greedy like people say. It's need not greed," she said.

The estate disputes the suggestion that administrators are not meeting her living expenses. Weitzman, the lawyer, noted that the allowance was approved by a probate judge and said the cash payments were only one aspect of the financial support that administrators provided. The estate also paid off the mortgage on the family home in Encino and foots the bill for household staff, security, vehicles, food, tuition and vacations.

"The estate has spent millions of dollars for Mrs. Jackson's benefit and on the direct living expenses of both Mrs. Jackson and the children," Weitzman said.

But for Katherine Jackson, it is not enough. "I think I should be getting more," she said. She declined to specify why she needed the money. Her husband, Joe, sought an allowance from the court but was denied. Several other grandchildren also reside at the family home.

Finances were on her mind a few months after her son's death when she was approached by Mann. The business partners seem an odd pair: Katherine Jackson is a devout Jehovah's Witness while much of Mann's résumé is X-rated. Mann was the former chief executive of an online gambling site that featured topless porn stars as dealers and also headed up the Naked Women's Wrestling League, an outfit that made its biggest headlines when it was sued by its hostess, Carmen Electra.

But when Mann introduced himself to Katherine Jackson a few months after her son's June 2009 death, he offered her two things she wanted: money and the opportunity to protect her son's reputation from yet another damaging press report.

Both stemmed from his purchase of an enormous memorabilia collection that Jackson's parents had originally assembled for a planned family museum. Katherine and Joe Jackson subsequently developed financial problems and the collection was sold at a 2001 bankruptcy auction. Eventually, the memorabilia came into the possession of a New Jersey construction company owner, Henry Vaccaro Sr., who set up a pay-per-view website to profit from the material.

Michael Jackson sued Vaccaro and his company, Vintage Pop, for copyright infringement, cybersquatting, violation of his privacy rights and other claims in 2004, but the next year after his acquittal on child molestation charges, he decamped to Bahrain, refused to submit to a deposition and stopped paying his lawyers. A federal judge dismissed the case in 2006 "with prejudice" — meaning the singer was barred from refiling the same claims.

After Jackson's death, word that Vaccaro was trying to sell the collection reached Mann. He wasn't a fan of Jackson's music, but he had previously considered purchasing a music catalog of early Jackson 5 recordings and he saw investment potential in the warehouse of old costumes, yellowing papers, artwork, pictures and recordings. When he looked closer, however, he concluded that the most valuable thing Vintage Pop had was not a particular piece of memorabilia but the court decision.

Inside The New Michael Jackson Album

Inside The New Michael Jackson Album

Michael Jackson's posthumous album

Inside The New Michael Jackson Album
In 2007, Michael Jackson began working on new music that he wouldn't live to finish.

Since the King of Pop's untimely death, several producers and songwriters have picked up where he left off, finishing the album, Michael, out Dec. 14.

"I think he'd be very proud," says producer Tricky Stewart, who worked on "Keep Your Head Up." "If I didn't think he's be proud, I wouldn't do this."

The songs on the album, he adds, appear "as they were written, but it was up to us to produce and deliver them to their fullest potential."

One of those songs, "Hold My Hand," was co-written by songwriter Claude Kelly. "Michael loved everything about it," says Kelly, who wrote the song with rapper Akon. Though the track was originally intended for Whitney Houston, Akon liked it so much that he kept it for himself.

Enter Michael Jackson. When Akon played it for him to get his feedback, "Michael was like, 'I have to get on this; this is me, and exactly what I want to talk about,'" says Kelly.

Like many who worked with the music icon, Stewart has a memorable story of the day he first met Jackson, back in 1993.

"He would send a bunch of stuff to personalize the studio, and in this case, he sent arcade games," says the producer. "I was young and not really thinking and I started playing Pac-Man when I heard this voice – and there's no mistaking that voice – saying, 'You know those are my games, don't you?'"

Luckily, the star was happy to share. "He was really cool and nice about it," Stewart recalls with a laugh. "He even let me keep playing."

Wednesday, December 1, 2010

Usher: An eye-popping spectacle, but he’s no Michael Jackson

Bringing his OMG tour to the first of two Canadian venues, a superstar singer talked the talk, but never came close to walking the moon walk.

“Not too long ago, I paid tribute to one of the greatest entertainers that ever lived,” said Usher, the guileful crooner and pro-sex supporter. “And I was just wondering, ‘Would you guys mind if I did it again tonight?’”
Usher performs at the Air Canada Centre in Toronto Monday night. - Usher performs at the Air Canada Centre in Toronto Monday night. | The Globe and Mail
He was speaking of Michael Jackson, the deceased king of pop whose throne is left unoccupied. “Do I have your permission,” Usher continued, “to fill his shoes?” The seduced crowd, like a footwear salesman on commission, was obliging, willing to nod and say, “Oh yes, those boots are you,” whether the fit was perfect or not.

Did Usher fill the sparkly high-tops that appeared on the stage? Of course not – the very act of asking the question gave us the answer. Did Genghis Khan ever say, “Excuse me”? Did Elvis Presley politely ask, “Y’all mind if I give the world a little shake?” And does Oprah ever seek permission for that last slice of pecan pie?

No, the best ones unhesitatingly take. And while Usher is a highly successful record seller and a generous, physically charismatic performer, he’s no king of anything.

But hey, he did take to the stage on Monday, in support of his latest hit albums (Raymond v. Raymond and Versus), in a stupendous high-flying way, gliding on a floating metallic platform from the back of the arena to the fore, where he was lowered onto an ultramodern stage by a stuntman’s harness. Athletically built – like a tattooed middleweight boxer – and ruggedly handsome, the self-confident 32-year-old singer-dancer began his eye-popping, carnally charged spectacle garbed Will Smith-like, with a black-leathered post-apocalyptic getup. The career of the Justin Bieber mentor and world’s wiliest R&B artist is certainly on solid ground, so why not shoot for the moon?

Usher’s music isn’t the most complicated or melodic: He does fashionably rhythmic pop, leisurely undulating foreplay (“slow jams,” in the parlance) and material more ruggedly danceable, some with nuanced hints of reggae.

More than once, he took his shirt off, as if to say, “Is it hot in here?” To which a lady might answer, “Oh god, yes.” As to what he sang topless about, with his expressive tenor and soulful falsetto, was readily apparent in the song titles: You Make Me Wanna, Hot Tottie, I Need a Girl, Love ’Em All, Bad Girl and Love in This Club.

I think you get the idea. And if you don’t, opening act Trey Songz certainly does. The sexually keening singer’s overt performance left children puzzled, men emasculated and women practically impregnated. But the American recording artist’s best trick was bringing to the stage Toronto hip-hop sensation Drake. He rhymed a bit, wore a Blue Jays jacket and said nice things about his hometown – all well enough to receive a screaming level of approval that would rival anything earned later by the headliner.

Would Jackson allow himself to be upstaged in such a way? Better yet, could he have been upstaged in such a way?

Usher, like MJ before him, relies heavily on an elaborately choreographed production. The athletic performer and eight dancers (four men and four women) worked the hell out of the wide stage. A five-piece band was tucked away in a pit in back; complicated backing vocals were played from a tape. Interludes allowed for costume changes. Dry ice fogged low, confetti fluttered high, lights flashed, flames flew and sparks spewed and showered.

It was a thrilling exposition, ending with a swirling version of OMG, his popular but by no means historic single. Where Usher is the all-star lover man with a history of urban-radio hits, Jackson was an asexual extraterrestrial with a stunning catalogue of mainstream classics. Can Usher ever measure up to that? Oh my god, no.

Jackson wrongful death case refiled

Michael Jackson's father has refiled a wrongful death lawsuit against the doctor charged over his son's death.

And he has added as a defendant a Las Vegas pharmacy that records show sold the physician a powerful anaesthetic blamed for the star's death.

The lawsuit seeks unspecified damages against Dr Conrad Murray, who has pleaded not guilty to involuntary manslaughter in the separate criminal case over the singer's June 2009 death.

Saturday, November 27, 2010

Ciara Still Devastated About Michael Jackson's Death

Gimmie Dat singer Ciara admits she's still struggling to cope with the loss of Michael Jackson, because the star was her idol as a child.

"My favorite singer growing up was Michael Jackson," shared Ciara, who added that she regrets never getting the opportunity to meet the late King of Pop face-to-face.

"I got the chance to talk to him on the phone but I never got to meet him physically," she continued. "I'm still devastated that he's gone - it's unbelievable."

Ciara also sees herself as a good businesswoman and she's been getting inspiration from books like The 48 Laws of Power.
Ciara Still Devastated About Michael Jackson's Death
"It's a book that encourages you to be smarter and make good decisions," she explained. "It helps you understand why people do things in a certain way. It's very good for business.

"It's very important for me to be a good businesswoman as well as a performer. I have big goals that I want to accomplish."

Ciara releases her fourth studio album Basic Instinct on December 10.

Nokia's treat for Indian Michael Jackson fans

Michael Jackson fans in India have something to cheer about. They can download his song Hold My Hand which also features Akon free of cost from the Nokia Ovi Music Store. The Store is accessible to internet enabled Nokia devices and the song will be available till November 30.

This is the first Michael Jackson song to be released in the past nine years. Hold My Hand, a duet with R&B singer Akon, was recorded in 2007.

A handwritten note by Michael Jackson indicates that he desired this song to be the first single in his subsequent project, but the song leaked out, still unfinished in 2008. Akon recently completed the production of Hold My Hand and that version of the song is now available on Ovi Music Store.

While it can be downloaded exclusively from Ovi Store, Hold My Hand will also be released by Sony Music as part of an album called Michael.

The managing director of Sony Music India, Shridhar Subramaniam, said, "Through this offer, fans of Michael can legitimately download his music from the Ovi store in India well in advance of the CD release."

Sony Music, in conjunction with the Estate of Michael Jackson, will release the much anticipated new album On December 14.

Akon wants to burn the unfinished collaborations with Michael Jackson

The death of Michael Jackson, King of Pop, left behind intrigue, dissatisfaction, regret and strong controversy.

After the arguments about the launch of a postmortem album titled “Michael” and about some songs on the album, including a collaboration with Akon, who comes with other news about MJ.


Akon wants to burn the unfinished collaborations with Michael Jackson

Akon, rapper who worked with Michael for the song “Hold My Hand”, which was recently launched and which will find the album “Michael”, said in an interview that he will burn all the unfinished records with Michael Jackson because he don’t want to launch any song that was left unfinished.

Besides the song “Hold My Hand”, which promises to be the first single from Michael Jackson’s postmortem album, Akon says he still has a lot of other records that he did with MJ, but he wants to destroy them because the temptation to “work and finish them” would be too high. “Me and Mike have worked on many concepts and ideas before he died. “Hold My Hand” was, in fact, the only complete record on which we performed together, the others are incomplete” says Akon.

It seems that the other recordings that the artist has with MJ is a big temptation for him and he is thinking very seriously to get rid of them because he don’t want to launch a incomplete song without any chances the be a big hit. “There are only ideas, concepts, harmonies and things like that, the fans probably never going to see that, because I don’t want to release them unfinished, so would burn them, because the temptation to do a remix of them is too high” Akon says about recordings.

“Michael” , Michael Jackson’s postmortem album, which will be released in December, is a series of collaborations with big artists, including Lenny Kravitz, 50 Cent and of course, Akon.